Your voice
Your timbre, warmth and delivery stay intact. It still sounds unmistakably like you.Your timbre, warmth and delivery stay intact.
Rights and consent.
We asked first.
Every version we make starts with a recording its owner chose to give us, sung by the artist who recorded it. It's the slower way to build. It's also the only way the people who made the music stay in the room, and get paid when it travels.Every version starts with a recording its owner chose to give us. Slower, but the people who made the music stay in the room, and get paid when it travels.
Music travels further when the people who made it come along. Then everyone in the chain wins.
It still sounds
like you.
A language version only works if listeners still recognise the artist. Three things carry across.Three things carry across.
The song's shape
Rhyme, meter and phrasing carry across, so the song keeps its flow and its hooks.Rhyme, meter and hooks carry across.
Its meaning
Lyrics are reshaped to land naturally in each culture. Never translated word for word.Lyrics reshaped for each culture, never word for word.
Copyright and consent
Nothing is adapted without permission.
Adapting a song needs permission from everyone who holds rights in it: the recording, the composition, the voice and any featured performer. Moozz claims no ownership of the adapted master, no writer or publisher share, and no share of what the original recording earns.Every rights holder must agree. Moozz takes no ownership and no share of the original.
During the open beta
See the four permissionsAnyone with an account can upload a song. Only upload recordings you own outright or are authorised to adapt, for the recording, the composition and the voice. By uploading, you confirm you hold those permissions. Open uploads close when the beta ends; after that, every adaptation goes through a rights check first.
Your responsibility. You are responsible for what you upload, what you adapt and how you use or release the result. Moozz provides the technology and claims no rights in your recordings. We act on valid rights notices: we may remove content, keep records of the upload and suspend or close accounts that misuse the service, as set out in our Terms and conditions.
The four consents Four permissions,
Four permissions,
often four people.
All four are recorded before anything is produced.
The recording
Whoever controls the master must authorise the adaptation.The master owner signs off.
The composition
Rewriting a lyric creates a derivative work, so the publisher and writers must authorise it.Publisher and writers approve the new lyric.
Voice and likeness
Covered by personality rights, not copyright, so it's a separate permission that appears in no rights database.A separate personality right, in no database.
Featured performers
Anyone whose performance is on the recording releases their part separately.Each featured performer signs off.
Our commitments What Moozz does,
What Moozz does,
and doesn't do.
| Moozz does | Moozz doesn't |
|---|---|
Leaves every copyright with you, in the original and in each new version | Claim ownership of your master, your composition or any new version |
Works only with recordings the artist or rights owner has given us or approved | Use music taken from the internet, or anyone else's recordings, to make your
version |
Keeps each artist's voice theirs alone, used only for their own songs | Lend an artist's voice to anyone else, or blend voices from a catalogue |
Starts every version from a song an artist has already recorded | Create new songs from a text prompt |
Leaves the original master untouched, earning as before | Take any share of what the original recording earns |
Free tool
Liner
Writes the Article 50 transparency disclosure a release needs under EU law. Free, no account, open to anyone, including labels who never use Moozz.Free Article 50 disclosures for any release. No account.